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The Significance of the Ramones Cover of the Ronettes Baby I Love You

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American singing group

The Ronettes
The Ronettes in 1966 (l–r): Talley, Spector, and Bennett

The Ronettes in 1966 (l–r):
Talley, Spector, and Bennett
Background information
Also known every bit
  • The Darling Sisters
  • Ronnie and the Ronettes
Origin New York Urban center, New York, U.S.
Genres
  • R&B
  • pop
  • soul
  • doo-wop
Years active 1957–1967, 1973–1974
Labels
  • Colpix
  • Philles
Associated acts
  • Darlene Dear
  • Sonny and Cher
  • The Beatles
  • The Crystals
  • Jimi Hendrix
Past members
  • Ronnie Spector
  • Estelle Bennett
  • Nedra Talley
  • Elaine Mayes
  • Chip Fields
  • Denise Edwards
  • Diane Linton

The Ronettes were an American girl group from Washington Heights, Manhattan, New York Urban center.[one] The group consisted of lead vocaliser Veronica Bennett (later known as Ronnie Spector), her older sister Estelle Bennett, and their cousin Nedra Talley. They had sung together since they were teenagers, then known as "The Darling Sisters". Signed offset by Colpix Records in 1961, they moved to Phil Spector'south Philles Records in March 1963 and inverse their proper noun to "The Ronettes" (an acronym for "Ronnie, Nedra and Estelle").

The Ronettes placed 9 songs on the Billboard Hot 100, five of which became Top forty hits. Amongst their striking songs are "Exist My Infant", which peaked at No. 2, their only Meridian x striking (until "Sleigh Ride" peaked at number 10, on January 1, 2022), "Baby, I Love You", "(The Best Part of) Breakin' Up" and "Walking in the Rain". In 1964, the group released their merely studio anthology, Presenting the Fabulous Ronettes Featuring Veronica. That yr, the Rolling Stones were their opening act when they toured the United kingdom. The Ronettes opened for the Beatles on their 1966 US tour, condign the only daughter group to tour with them, before splitting upwardly in 1967. In the 1970s, the group was briefly revived every bit Ronnie Spector and the Ronettes.

Their vocal "Be My Babe" was inducted into the Grammy Hall of Fame in 1999. Rolling Stone ranked their anthology Presenting the Fabled Ronettes Featuring Veronica No. 422 on its list of The 500 Greatest Albums of All Time.[2] The Ronettes were inducted into the Vocal Grouping Hall of Fame in 2004, and into the Rock and Roll Hall of Fame in 2007.

Early years (1950–1961) [edit]

The Ronettes began as a family unit human action where the girls grew upwards in Washington Heights, Manhattan. According to Nedra Talley, they started singing during childhood visits to their grandmother's dwelling.[3] "Estelle and Veronica are sisters," she said in a later on interview.[three] "I'm their cousin. Our mothers are sisters. We came out of a family that, on Sabbatum nights, home for the states was at our grandmother's, entertaining each other."[3] The Bennetts' mother was African-American and Cherokee; their begetter was Irish-American. Their cousin, Talley, is African-American, Cherokee and Puerto Rican.[4] The trio too had a cracking-grandfather who was Chinese.[5] [vi] "By the time I was eight, I was already working upwards whole numbers for our family's fiddling weekend shows," Ronnie Spector later recalled.[7] "Then Estelle would get upwards onstage and exercise a vocal, or she'd join Nedra or my cousin Elaine and me in a number nosotros'd worked out in three-function harmony."[eight]

Furthering their interest in show business concern, Estelle was enrolled at Startime, a pop dancing schoolhouse in the 1950s,[8] while Ronnie became fascinated with Frankie Lymon and the Teenagers. In 1957, Ronnie formed the group which would afterward get known as the Ronettes.[9] Equanimous of Ronnie, her sister Estelle, and their cousins Nedra, Diane, and Elaine, the five girls learned how to perfect their harmonies first at their grandmother'south firm, and they became expert in songs such as "Goodnight Sweetheart" and "Red Red Robin".[9] Emulating Frankie Lymon and the Teenagers, the girls added their male cousin Ira to the group and signed upwardly for a Wednesday nighttime amateur show at the Apollo Theater run by a friend of Ronnie and Estelle's mother.[ix] The testify started out as a disaster; when the house ring started playing Frankie Lymon's "Why Do Fools Autumn in Dear", Ira did not sing a give-and-take, and then Ronnie took over.[10] "I strutted out across the stage, singing as loud as I could," Ronnie later recalled.[10] "When I finally heard a few hands of scattered applause, I sang even louder. That brought a little more adulation, which was all I needed."[x]

Colpix Records and The Peppermint Lounge (1961–1963) [edit]

Afterwards their night at the Apollo, Ira, Elaine, and Diane left the group. After the curious renaming of the group to "Ronnie and the Relatives", Ronnie, Estelle, and Nedra began taking singing lessons two afternoons per week. Appearing at local bar mitzvahs and sock hops, they met Phil Halikus, who introduced them to Colpix Records producer Stu Phillips.[eleven] According to Ronnie, Phillips played the piano while the women auditioned for him, singing "What's So Sweet About Sweet Sixteen".[12] The audition was successful, and the grouping was brought into the studio in June 1961 and recorded 4 tracks: "I Desire a Boy", "What'south So Sweet Virtually Sweet 16", "I'grand Gonna Quit While I'thousand Ahead", and "My Guiding Affections". Colpix released "I Want a Boy" in Baronial 1961 and "I'grand Gonna Quit While I'yard Ahead" in January 1962, the kickoff singles credited to Ronnie and the Relatives.[13]

While both singles failed to chart on the Billboard Top 100, fate intervened in advancing the group's success. A fortuitous example of mistaken identity led to Ronnie and the Relatives making their debut – as dancers rather than a singing act – at New York City's hip Peppermint Lounge in 1961.[14] It was the top of the Twist craze, and under-aged Nedra and Ronnie disguised themselves to arrive.[fourteen] The girls' mothers showed them how to put on make-up and fix their pilus to make them expect at least 23. When they arrived exterior the club, its manager mistook Ronnie, Estelle, and Nedra for the trio supposed to trip the light fantastic toe behind firm band Joey Dee and the Starliters for the evening. He led them in and put them onstage to perform in their place. During the show, Starliter David Brigati even handed the mike over to Ronnie when she started to sing Ray Charles' "What'd I Say".[15] Soon afterward, Ronnie and the Relatives became a permanent act at The Peppermint Lounge, each earning $10 per nighttime to dance The Twist and usually sing a song at some indicate in the show.

Ronnie and the Relatives soon became "The Ronettes".[sixteen] Colpix issued the first two singles credited to the Ronettes, "Silhouettes" and a re-effect of "I'm Gonna Quit While I'm Ahead", on its May characterization in Apr and June 1962, respectively. Both singles disappointingly failed to chart.[17] Later that yr, they were flown to Miami to open a Florida branch of The Peppermint Lounge.[18] After their performance at the Miami gala, radio host Murray the M came backstage and introduced himself to them. He asked the women to brainstorm appearing at his shows at The Brooklyn Fox in New York. They agreed, taking the Fob stage in 1962 and completing a transition from Murray the K's "Dancing Girls", to back-up singing for other acts, to performing as the Ronettes earlier year'south end.[19] It was during this fourth dimension that the women evolved their iconic look, wearing ever more than exaggerated eye brand-up while teasing their pilus to impossible proportions. "We'd look pretty wild by the time nosotros got out onstage," Ronnie later recalled, "and the kids loved information technology."[20] Colpix's May label issued a final single by the Ronettes in March 1963. When "Good Girls" failed to nautical chart, the women decided to wait elsewhere for studio work.[xviii]

Phil Spector and Philles Records (1963–1966) [edit]

In early 1963, fed up with Colpix Records and the grouping's lack of success, sister Estelle placed a telephone call to producer Phil Spector and told him the Ronettes would like to audition for him.[21] Spector agreed and met the women soon after at Mira Sound Studios in New York City. Subsequently, Spector told Ronnie that he had seen them at The Brooklyn Fox several times and was impressed with their performances.[22] At the audition, Spector was sitting at a piano, and when the group began singing "Why Do Fools Fall in Beloved", he suddenly jumped upwards from his seat and shouted: "That's information technology! That's it! That's the vocalization I've been looking for!"[23]

Later their successful audience, Spector decided to sign the group. Originally, he wanted to sign Ronnie as a solo act, until her female parent told him either he signed the Ronettes equally a group or it was no deal.[24] He agreed to sign the group and instructed Ronnie's mother to inform Colpix Records that the women had "given upwards" on show business then the studio would release their contract. By March 1963, the grouping was officially signed to Spector's Philles Records.[24]

The beginning song the Ronettes apposite and recorded with Phil Spector was written by Spector, Jeff Barry, and Ellie Greenwich called "Why Don't They Let U.s.a. Fall in Love". They brought the women out to California to make the record, simply, once information technology was completed, Spector declined to release it.[25] They recorded more songs for Spector, including covers of "The Twist", "The Wah-Watusi" (lead vocals by Nedra), "Mashed Potato Time", and "Hot Pastrami". These four songs were released, but were credited to The Crystals on their 1963 Philles LP The Crystals Sing Their Greatest Hits, Volume ane.[26]

"Exist My Baby" [edit]

After having been denied a release of their vocal every bit well every bit having credit for their next four recordings go to another grouping, the Ronettes went to work on the Phil Spector/Jeff Barry/Ellie Greenwich song "Be My Baby". The Ronettes recorded "Be My Infant" in July 1963, and information technology was released by Baronial. "Exist My Baby" was a smash tape for the Ronettes. Radio stations played the song throughout the fall of 1963, and the Ronettes were invited to tour the state with Dick Clark on his "Caravan of Stars" tour.[27] "Be My Baby" inspired a legion of Ronettes fans, including Brian Wilson of The Embankment Boys, who conspicuously intended "Don't Worry Baby" equally an homage to the group.[ commendation needed ] By autumn that year, it was a Tiptop x hitting and peaked at number ii on the Billboard Top 100. "Our lives were turned upside down," Ronnie afterward recalled. "All the things I'd ever dreamed about were finally coming true."[28]

"Be My Baby" was the first recording by Cher, who performed back-up vocals with Estelle, Nedra, and Sonny Bono. As the girlfriend of Bono, who was working for Phil Spector at the time, Cher was asked to bring together the redundancy singers when ane was a no-show. "'Be My Infant' was the first record I ever sang on," Cher later wrote. "I went out and stood in front of this large speaker and sang 'be my, exist my baby' with the Ronettes and all these other singers."[29]After "Be My Infant", Cher became a permanent back-upwardly singer on recordings by the Ronettes, equally well equally other songs Phil Spector produced until "Yous've Lost That Loving Feeling".[29]

"Baby, I Love You" [edit]

Later the overnight success of their first Phil Spector single, Spector was eager to exercise a follow-up with the Ronettes. He wrote "Baby, I Love You", over again with Jeff Barry and Ellie Greenwich, and urged the Ronettes to leave New York for California to tape the song at Gold Star Studios. A trouble arose when the Ronettes were scheduled to exit for Dick Clark's "Caravan of Stars" tour beyond the Usa. In lieu of having the Ronettes skip the Dick Clark tour, Spector decided Estelle and Nedra would do the tour with cousin Elaine, a quondam member of the group. Ronnie left for California to tape "Infant, I Honey Y'all" with Darlene Love, Cher, and Sonny Bono subbing for Estelle and Nedra on dorsum-up vocals. "Babe, I Love You" had an even denser organization, featuring Leon Russell on pianoforte. The song was recorded in the early fall of 1963 and released in November that year. It was slightly less successful than "Be My Baby" on the charts, reaching number 24 Pop, number half-dozen R&B in the United States and number 11 in the Britain.[30] [31]

A Christmas Souvenir for You from Phil Spector [edit]

All three Ronettes, along with every other artist who was signed with Phil Spector in 1963, were featured on the Christmas LP A Christmas Gift for You from Phil Spector.[32] For this album, the Ronettes recorded three songs: "I Saw Mommy Kissing Santa Claus", "Frosty the Snowman", and "Sleigh Ride". All artists sang on the album's finale, "Silent Night", which opened with a spoken message from Phil Spector, wishing a Merry Christmas and thanking everyone for supporting the cooperative artists.

In his desire for absolute perfection on the album, Spector pushed his artists to chugalug out their lyrics as powerfully every bit they could.[32] "The Christmas album was the one where I'd thought I'd lost it mentally." Nedra later on said.[32] "I heard the parts. I swore I'd put them down, merely they said it wasn't on the tape."[32]

The album was released on the day President Kennedy was assassinated. Information technology was non a success upon its initial release but information technology was re-released by Apple Records in 1972 and reached No. half-dozen on Billboard′south listing of Christmas Albums that year.[32]

British tour, "Breakin' Upwards", and "Do I Beloved You?" [edit]

In January 1964, the Ronettes left for their first tour of the United kingdom, where they made a strong impact from the very beginning.[33] "We must take been quite a sight in the Heathrow waiting room," Ronnie Spector later recalled, "three black American girls sitting with their legs all crossed the same way, our three identical, enormous hairdos piled a foot or so over our heads. When our young chaperon finally showed upward, he was all smiles."[33]

On their first nighttime in the UK, the women attended a political party at Tony Hall's house where they met the Beatles. After meeting, Ronnie and John Lennon quickly became friends and Estelle dated George Harrison.[iv] But for Ronnie, 1 of the biggest thrills was meeting Keith Richards of the Rolling Stones, who were the opening deed for the Ronettes on their UK tour.[34] The feeling was mutually shared by Richards, who wrote of his relationship with Ronnie: "The beginning time I ever went to heaven was when I awoke with Ronnie (afterward Spector!) Bennett asleep with a smile on her face. We were kids. It doesn't get any improve than that."[35]

When the women returned dwelling house from their British tour, they went right back into the studio to record "Keep on Dancing" and "Girls Can Tell", two songs written by Jeff Barry, Ellie Greenwich and Phil Spector. The group's recording of "Keep on Dancing" is notable because information technology features Ronnie and Nedra singing in unison, but Spector refused to release the single. Around this fourth dimension, The Crystals also recorded a version of "Girls Can Tell", which also went unreleased.

"(The All-time Part of) Breakin' Up" was later recorded by the Ronettes. Co-ordinate to Ronnie, Spector was specially enthusiastic almost the vocal.[36] "When Phil loved a vocal as much as he loved '(The Best Part of) Breakin' Up,'" she later wrote, "he could piece of work on information technology for days without ever getting tired."[36] Released in April 1964, the song did not fare equally well as the group's previous two singles, though information technology did manage to briefly break into the Billboard Peak twoscore. In June 1964, the group's post-obit unmarried, "Practise I Dearest Y'all?", was released, also breaking into the Top 40, beating their previous single past 5 positions.

"Walking in the Pelting" [edit]

As the British Invasion took full force on the American music scene in 1964, the Ronettes were 1 of the few groups that were able to maintain their relevance. When they toured the UK in January 1964, they had been asked by John Lennon to accompany the Beatles on their flight to America on February 7, 1964, but Spector denied them the opportunity to do so.[37] Instead, throughout 1964, the grouping appeared on numerous television shows such as Shindig!, American Bandstand, Hullabaloo, and British TV show Ready, Steady, Go! As the popularity of other groups such as The Crystals, The Marvelettes, and The Angels began to wane, that of the Ronettes continued to grow.

In the summer of 1964, Ronnie went into the studio to tape her lead on the grouping's next single, "Walking in the Pelting". She after recalled that the writers – Phil Spector, Barry Mann, and Cynthia Weil – were still adjusting the lyrics correct upward to the infinitesimal she recorded it. Ronnie recalled Phil placing headphones on her and telling her to listen closely. "Everything was serenity," she later on wrote, "Then all of a sudden I heard a low rumble, like there was thunder coming from every corner of the room."[38] The thunder was used for the introduction and was featured prominently throughout the remainder of the song, the but ane of which Ronnie recorded in a unmarried take. "Walking in the Pelting" became the group's near successful unmarried since "Be My Infant" (released over a twelvemonth before) and peaked at number 23 on the Billboard Hot 100.

Following the successful release of "Walking in the Rain", Philles Records released the grouping'due south beginning studio album, Presenting the Fabulous Ronettes featuring Veronica, in late 1964. The anthology proved but to exist marginally successful, peaking at number 96 on the Billboard charts, only for the outset time Phil Spector publicly promoted lead vocalizer Veronica "Ronnie" Bennett over Estelle Bennett and Nedra Talley. Every Ronettes unmarried after this referred to the grouping as "The Ronettes featuring Veronica" on the record labels.

Decline in popularity [edit]

After the success of "Walking in the Rain", the Ronettes' popularity had clearly begun to wane. In Feb 1965, Philles Records released the group'due south next unmarried, "Born to Be Together", which simply reached number 52 on the Billboard 100. Over the grade of the next year, the Ronettes recorded a song catalog which, once completed, Phil Spector refused to release. Many attribute this to his insecurities and growing love for Ronnie. Equally the popularity of the group rose, their human relationship grew deeper, and shortly they were living together. Spector allegedly did non want the Ronettes to go too popular, in fear they would ane twenty-four hours outshine him, perhaps explaining why he did non release recordings the Ronettes were contractually obligated to brand. This immune for the Motown group the Supremes to eclipse them to become the most popular female group of the time.

Some recorded yet unreleased songs include: "Paradise", "Everything Nether the Sun", and "I Wish I Never Saw the Sun Shine". All 3 take since been covered by among others, the Shangri-Las, the Supremes, and Ike & Tina Turner. Regrettably, Spector's choice was to non release the Spector/ Jeff Barry/ Ellie Greenwich song "Chapel of Love", initially recorded by the Ronettes in early on 1964. Past the time their version finally was released, another recording by The Dixie Cups had gained attention. "Nosotros thought information technology was such a dandy record that we practically begged [Phil Spector] to put it out," Ronnie Spector afterwards wrote.[39] "So the Dixie Cups' version came out, and it was a smash! It was so depressing."[39]

In June 1965, the Ronettes' next single, "Is This What I Go For Loving You?", was released, condign a small hitting, reaching only number 75 on the Billboard 100. Still, the song proved popular for TV appearances on Hullabaloo, Hollywood A Go-Go, and Shivaree. The Ronettes failed to accomplish another Top x hit, while the Supremes scored their fifth consecutive number-one song with "Back in My Arms Once again". Some have attributed the decline of their popularity partially to Phil Spector'south unenthusiastic promotions of the Ronettes, peradventure from insecurities stemming from his intimate human relationship with Ronnie.[twoscore]

There were internal issues within the group likewise. "You as well have to remember that Nedra and Estelle stood in the background while I got to bask in the spotlight," Ronnie later wrote.[41] "I was the one who flew out to California and sang pb on all our records. I was the one deejays wanted to talk to. And I was the i our producer was in love with, which meant I get the preferential treatment in all kinds of other ways which [quite understandably] drove them crazy."[41] "I hated the 'domestic dog-eat-dog' side of show-business," Nedra Talley later commented.[42] "I hated pushing for the next record and the feeling of failure if nosotros didn't become information technology. At that place was a continual demand on the states to produce that I thought was unfair. My personality didn't similar that."[42] Nedra'due south disdain for testify business organisation fueled her pick to marry Scott Ross.

Opening for the Beatles [edit]

Subsequently "Is This What I Become for Loving Y'all?" was released in June 1965, over a yr passed before the Ronettes' next unmarried was released. "I Can Hear Music", written by Phil Spector/Jeff Barry/Ellie Greenwich and produced past Barry, was issued in October 1966, barely making it into the Billboard 100 by peaking at number 100 for exactly one week before it fell off the charts. The song was covered by the Beach Boys in 1969 with much greater success.

After "Be My Infant", the Ronettes became headliners at several Murray the K Holiday Shows in New York City and did package tours in the The states and England. By belatedly 1965, even without a recent hit, the group connected to make appearances at leading night clubs and on telly shows, grace the covers of music magazines, and be featured on The Big TNT Testify, produced by Phil Spector as a concert, and filmed and released every bit a TV film.

In Baronial 1966, the Ronettes joined the pecker with the Beatles for a xiv-city tour across America. Phil Spector became so enraged when Ronnie expressed a desire to accompany Estelle and Nedra on the tour that Ronnie was forced to remain in California with him while the girls' cousin Elaine, who had previously been in the grouping, filled her slot on the bout, while Nedra or Estelle assumed the pb vocals on stage. A picture published in the November 1966 issue of Ebony magazine [43] showed Nedra Talley singing pb, while Estelle and Elaine stood backside her singing harmony.

Break-up [edit]

Subsequently their tour with the Beatles ended, and "I Can Hear Music" failed to make an impact, the Ronettes left for a tour in Deutschland in early on 1967, after which they agreed to break up and go their split ways. Before long subsequently, Nedra Talley married her boyfriend Scott Ross, Ronnie Bennett married Phil Spector, and Estelle Bennett settled downwards with Joe Dong, a long-time boyfriend.

Co-ordinate to her accounts, Phil Spector kept Ronnie a virtual prisoner in their 23-room mansion in California. He brought her into the studio only once during their matrimony. During this session, which took place in early 1969 at A&M Records, she recorded "You Came, You Saw, You Conquered!" The song was released in March 1969, declining to make an impact on radio stations, which were now playing music in the mode of Janis Joplin and Grace Slick. After in 1969, Ronnie and Estelle were invited into the studio by Jimi Hendrix to record bankroll vocals on "Earth Blues". Their work on the song earned the Ronettes a credit on the LP Rainbow Bridge. [44] [45]

Ronnie Spector and the Ronettes [edit]

Ronnie left Phil on June 12, 1972, and their divorce was finalized in 1974.[46] As she made an try to revive her career, she decided to reform the Ronettes. Nedra had no interest in returning to the group, and Estelle mentally could no longer handle the burden of performing as she was suffering from mental illness.[47] Ronnie replaced them with Scrap Fields (mother of actress Kim Fields) and Denise Edwards.[48] They recorded some songs for Buddah Records in 1973, one of which was a embrace of "I Wish I Never Saw the Lord's day Polish", a song Ronnie had first done in 1965, though Phil Spector had refused to release it.[49] The stint at Buddah was not successful, and by 1975, Ronnie had abased the idea of continuing the Ronettes and began her solo career.[50]

In 2017, Ronnie Spector released a new single Dear Power under the name Ronnie Spector and The Ronettes making it the first Ronettes single in decades.[51]

Afterward years [edit]

Lawsuit against Phil Spector [edit]

In 1988, the original Ronettes sued Phil Spector for $10 million over unpaid royalties and for unpaid income he made from licensing of Ronettes' music.[52] It took the case a decade to make its fashion to trial.[53] In 2000, Phil was ordered to pay them more $2.six million.[54] Phil appealed and in 2001 the state Supreme Court'south Appellate Sectionalisation upheld a lower court finding that he had violated his 1963 contract. He appealed that ruling as well, taking the instance to the New York State Supreme Court in 2002.[55] In its ruling, the Land Court of Appeals said it plant the Ronettes' "plight sympathetic, because they accept earned less than $15,000 in royalties from songs that topped the charts and made them famous," but the judge found that their contract gave Spector unconditional rights to the recordings.[56] The judge likewise reversed a lower court's ruling that they were entitled to the music industry's standard 50 pct royalty rate on sales of records, tapes and compact discs.[57] However, it was ruled that Spector was entitled to her share of the royalties; she had argued that she was forced to sign away her rights to royalties in her 1974 divorce settlement.[57] The royalties of the grouping's other two members were non in dispute.[57]

Deaths [edit]

On Feb eleven, 2009, Estelle died of colon cancer at the age of 67 in Englewood, New Jersey.[58]

Ronnie died on Jan 12, 2022 following a brief battle with cancer at the historic period of 78, leaving Nedra Talley the last surviving original member of the trio.[59]

Awards and recognition [edit]

The Ronettes were nominated for a Grammy Award in 1965 for "Walking in the Rain".[60] They were inducted into the Grammy Hall of Fame for "Exist My Infant" in 1999.[61] The Ronettes were likewise inducted into the Song Grouping Hall of Fame in 2004 and the People'south Hall of Rock and Coil Legends in 2010.[62] The Ronettes' influence on music was significant. In addition to Brian Wilson of the Beach Boys, Billy Joel and Bruce Springsteen have both cited Ronnie Bennett every bit an influence.[63] The Ronettes' fashion style was emulated by British musician Amy Winehouse.[64]

It was reported that Phil Spector, in his capacity as a fellow member of the Board of Governors, prevented the Ronettes from being nominated for induction into the Rock and Roll Hall of Fame, although they had been eligible for a considerable length of fourth dimension. In a letter of the alphabet obtained by Ronnie's lawyers, addressed to the Rock Hall's nominating committee, Phil claimed that, autonomously from Ronnie, the grouping members did non appear on their records, and that they did not make the contribution required for induction.[65] While he was awaiting trial on a murder accuse, the Ronettes were inducted into the Stone and Roll Hall of Fame on March 12, 2007, at the Waldorf-Astoria Hotel in New York City. They were inducted by Rolling Stones guitarist Keith Richards.[66] Ronnie and Nedra performed "Baby, I Love You", "Walking in the Rain", and "Exist My Babe". Estelle was present to accept her award but was not well enough to perform, then Tricia Scotti (a regular fill-in singer with Ronnie) took her identify behind the microphone.

Discography [edit]

Studio albums

  • Presenting the Fabulous Ronettes Featuring Veronica (1964)

Pop references [edit]

  • Ronnette is the proper name of one of the girl group-inspired street urchin characters in the musical Petty Shop of Horrors.
  • Ronnie Spector accompanied Eddie Coin on the 1986 hitting vocal "Take Me Home Tonight". She sang the title line from "Be My Baby" and is also proper name-checked in the vocal's lyrics.
  • In an interview, the Danish ring the Raveonettes stated that their name is "a complete direct reference to the Ronettes and Buddy Holly Rave On!."[67] They invited Ronnie Spector to sing with them on their third anthology, Pretty in Black, on a song named "Ode to 50.A."
  • In the eighth episode of RuPaul'southward Drag Race's 14th season, drag queens DeJa Skye, Jasmine Kennedie, and Jorgeous performed an original song "He's My Baby" as "The RuNettes", both parodying and paying homage to the music and way of The Ronettes.

References [edit]

  1. ^ "Ronnie Spector Biography". Ronniespector.com. Nov 9, 2010. Archived from the original on Nov 6, 2012. Retrieved Nov x, 2012.
  2. ^ "Rolling Stone's 500 Greatest Albums of All Fourth dimension". Rolling Rock. Archived from the original on September 12, 2012.
  3. ^ a b c Turco, Fine art (1982). "An Interview With Nedra Ross". The Tape Exchanger.
  4. ^ a b Sisario, Ben (Feb sixteen, 2009). "A Life of Troubles Followed a Singer's Burst of Fame". The New York Times . Retrieved May 20, 2010.
  5. ^ Guardian Staff (September 19, 2008). "Is this information technology? Ronnie Spector". Theguardian.com.
  6. ^ "Hard French Hearts Los Homos: Presenting the Fabulous Ronettes - June 21, 2017". SF Weekly. June 21, 2017.
  7. ^ (Spector 2004, pp. 5–6)
  8. ^ a b (Spector 2004, p. half dozen)
  9. ^ a b c (Spector 2004, p. 19)
  10. ^ a b c (Spector 2004, p. 21)
  11. ^ (Spector 2004, p. 24)
  12. ^ (Spector 2004, p. 25)
  13. ^ (Spector 2004, p. 26)
  14. ^ a b (Spector 2004, p. 31)
  15. ^ (Spector 2004, pp. 31–32)
  16. ^ (Spector 2004, p. 32)
  17. ^ (Spector 2004, pp. 326–327)
  18. ^ a b (Spector 2004, p. 43)
  19. ^ (Spector 2004, pp. 34–36)
  20. ^ (Spector 2004, p. 37)
  21. ^ (Spector 2004, p. 343)
  22. ^ (Spector 2004, p. 45)
  23. ^ (Spector 2004, p. 46)
  24. ^ a b (Spector 2004, p. 49)
  25. ^ (Spector 2004, p. 55)
  26. ^ (Spector 2004, pp. 328–329)
  27. ^ (Spector 2004, p. 71)
  28. ^ (Spector 2004, p. 66)
  29. ^ a b Cher; Coplon, Jeff (1998). The First Time. Simon & Schuster. ISBN9780684809007.
  30. ^ "The Ronettes". History-of-rock.com.
  31. ^ Huey, Steve. "The Ronettes, Biography". AllMusic . Retrieved January 13, 2022.
  32. ^ a b c d e Turco, Art (1982). "An Interview with Ronette Nedra Ross". Record Exchanger.
  33. ^ a b (Spector 2004, p. 75)
  34. ^ Jones, Rebecca (2015-11-06). "Ronettes release new track 50 years on". BBC News . Retrieved 2020-x-05 .
  35. ^ Richards, Keith (2010-ten-26). Life. Fiddling, Dark-brown. ISBN978-0-316-12856-8.
  36. ^ a b (Spector 2004, p. 83)
  37. ^ (Spector 2004, p. 84)
  38. ^ (Spector 2004, p. 110)
  39. ^ a b (Spector 2004, p. 113)
  40. ^ (Spector 2004, p. 114)
  41. ^ a b (Spector 2004, p. 102)
  42. ^ a b Turco, Fine art (1982). "In Interview with Ronette Nedra Ross". Tape Exchanger.
  43. ^ Company, Johnson Publishing (November 2, 1966). "Ebony". Johnson Publishing Company – via Google Books.
  44. ^ Glover, Tony (Dec 9, 1971). "Rainbow Bridge". Rolling Stone.
  45. ^ Exist My Babe: How I Survived Mascara, Miniskirts, and Madness, or My Life as a Fabulous Ronette ISBN 978-1-942-57003-v p. 322.
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Sources [edit]

  • Spector, Ronnie (2004). Be My Baby: How I survived Mascara, Miniskirts, and Madness, or My Life every bit a Fabulous Ronette. New York: New American Library. ISBN0-451-41153-half-dozen.

External links [edit]

  • The Ronettes at Curlie
  • The Ronettes at AllMusic
  • The Ronettes discography at Discogs
  • The Ronettes at IMDb
  • The Ronettes at the Song Group Hall of Fame

pattersonwaris1961.blogspot.com

Source: https://en.wikipedia.org/wiki/The_Ronettes

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